Talk with Gabu Heindl
Building Dissensus. What material space does it take that social space can happen?
19.10.2016 at 18–20
NODE Space, Hämeentie 135 C, 5th floor
Welcome to our next CuMMA Discourse Series lecture on 19th of October. In her talk architect and urbanist Gabu Heindl will present three of her projects in the field of exhibition architecture, tackle their intentions as well as their successful and failing strategies. Behind this background the talk investigates the potential of other (“third”) spaces stimulating open debate within exhibition spaces. Heidl will lay out aspects of strategies of queering and appropriation, opening up sensory and discursive spaces of conflict and dispute. You can read more about the upcoming talk here.
CuMMA Discourse Series autumn 2016
23.11.2016 Felicity Allen: Unlocking the Learning Organisation
13.12.2016 Vali Mahlouji: Challenging the Archive. An Archaeological Guide to the Deployment of an Archive
The Bright Lights of the Institution
A framework for being together by Freja Bäckman
built together with Heidi Lunabba and Karolina Kucia
Curated by Nora Sternfeld in collaboration with Darja Zaitsev
Welcome to the opening performance Oct 18 at 18
NODE Space, Hämeentie 135 C
5th Floor, 00560 Helsinki
“Even when we say “everyone” in an effort to an all-inclusive group, we are still making implicit assumptions about who is included and so we hardly ever overcome what Chantal Mouffe and Ernesto Laclau so aptly describe as “the constitutive exclusion” by which any particular notion of inclusion is established”
– Judith Butler, Notes Toward a Performative Theory of Assembly
How do we act together in a world that isolates us? What exclusions are we still performing, when we create spaces and possibilities for working, learning or just being together? And what are the (in-)visible mechanisms of opening and closing spaces?
The project in Node Space creates a framework for coming together and is part of the seminar “Theoretical Frameworks for Curating and Mediating Art” by Nora Sternfeld. When thinking about how we negotiate when working together and how borders are established, the act of the building, the physical creation of the space also becomes important. The space is accessible but not without a deliberate attempt at entering it. The fence we have to cross, when we enter is the visible reference to the borders of the institution – which, as every border are usually felt by some and (almost) invisible to others. It means both the concrete space at the Art Department of Aalto University as well as the art institutions we are talking about as part of a theoretical framework for curating and mediating art.
Freja Bäckman’s practice is situated between art, education and socio-political work. Mainly working in different forms of groups and collaborations, the most central ones being Wir Spielen/No play, Land-Institut and the artist group Megafån. Recent projects are “No play Feminist Training Camp” at nGbK in Berlin, being part of the Partisan Café team at Bergen Assembly, and wood chopping sessions that got their start as I was told I chop wood as a ballet dancer at Repose in Krakow. Plays bass in the doom metal band Lithalsa. Bäckman has a MA from Art in Context, UdK Berlin and is currently doing a doctorate at the Aalto University, Department of Art.